Chaya Czernowin - 2017 - Wintersongs (FLAC, Kairos 15008)


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Torrent Added : 1 Year+ in Music - Music
Torrent Size : 247.97 MB


Chaya Czernowin - 2017 - Wintersongs (FLAC, Kairos 15008)
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Torrent File Content (12 files)


Chaya Czernowin - 2017 - Wintersongs (FLAC, Kairos 15008)
     01 Forgotten Light.flac -
110.61 MB

     02 Five Action Sketches I_ Breathe (2014).flac -
7.8 MB

     03 Wintersongs IV_ Wounds_Mistletoe (2014).flac -
50.71 MB

     04 Five Action Sketches II_ So Narrow (2014).flac -
9.76 MB

     05 Five Action Sketches IV_ Silver (2014).flac -
6.79 MB

     06 Wintersongs II_ Stones (2003).flac -
53.11 MB

     07 Five Action Sketches V_ Sand (2014).flac -
6.54 MB

     1.jpg -
732.97 KB

     2.jpg -
115.73 KB

     aucdtect.log -
2.05 KB

     digi.pdf -
1.81 MB

     i.txt -
1.11 KB



Description



Music : Classical : Lossless


Kairos 0015008KAI.

1. Wintersongs V: Forgotten Light 24:26
2. Five Action Sketches I: Breathe 01:53
3. Wintersongs IV: Wounds / Mistletoe 10:16
4. Five Action Sketches II: So Narrow 03:39
5. Five Action Sketches IV: Sliver 02:30
6. Wintersongs II: Stones 13:23
7. Five Action Sketches V: Sand 01:57

Kai Wessel, Jeffrey Gavett, International Contemporary Ensemble & Steven Schick

No other work traces the changes in development of Czernowin's work as Wintersongs. The first Wintersong was written in 2002 and the last was written in 2014, right after HIDDEN, which marked the outward cusp of the change in Czernowin's work. On this CD we hear Wintersongs II from 2004 and the last set: Wintersongs IV and V. While the existential and elemental quality of the music were intensely present, the engagement with the slower but entangled temporal perception revealed an immersive quality. The music became an experience where rapture and continuity were shaping the sound as if it were living, while creating opening and closing spaces inside the structure. - Kairos

In Chaya Czernowin’s music the natural world is frequently present and ever enigmatic. Nature here is not domesticated and anthropomorphised; it’s wild and strange. Contours, tones, shiftings of sound are pieced together with a logic that’s rigorous yet at the same time delirious.
Wintersongs (2003 14) is a cycle of five chamber works. Three of them are present here, alongside four of the brief Five Action Sketches (2014), which serve as interludes. Despite its title, Wintersongs is wholly instrumental except for Wintersongs V, where a baritone and countertenor sing wordless vocables. Continuity in the cycle is provided by the core ensemble: Wintersongs I is scored for a predominantly low septet (featuring bass flute, bass clarinet and bass trombone) and each of the subsequent works adds to this ensemble in different ways.
This is music almost entirely based on extended techniques and textural layering. Sound categories blur. Scored for two septets, an octet and two singers, Wintersongs V: Forgotten Light periodically features an enormous cluster spanning the registral space. This gives way at times to percussive tremolos with countertenor and baritone whispering unintelligibly. The piece ends with all the performers scraping combs’ teeth in a strangely soothing way. Make no mistake, it’s forbidding stuff, but it rewards repeated listens. The other two Wintersongs are similar in aspect but vary in forces: Wintersongs II: Stones features undulating timpani, bowed cymbals and various percussive attacks and resonances, while Wintersongs IV: Wounds/Mistletoe adds to the low initial septet a higher septet of ululating winds.
The disc comprises live recordings made on the occasion of the premiere of Wintersongs IV and V at Miller Theatre in New York City. The performances are brilliantly committed, though occasionally there is a slight lack of clarity in the instrumental profiles. - Liam Cagney, gramophone.co.uk

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